talk to strangers
monologue02
She only ever felt urgency after four p.m. Anything before that didn’t seem to count for much. She’d often skip breakfast, substituting it with a cigarette (non-performative) and a cup of coffee full of cream and sugar. Both would suffice until she became ravenous around two or three in the afternoon, when she’d consume whatever was in sight. A bag of popcorn, sour straws, grapes by the handful, buttered toast.
She went out most nights, and when she did she’d take her drink outside, lean against the brick wall, smoke another cigarette (performative), and try to catch the eye of a stranger. But she found men would only approach her if she’d already done the work for them.
She had it down to a system: eye contact, look away, smile for no reason. The second time, eye contact again and brush her hair over her shoulder, because when she was tipsy she tended to believe her collarbones were attractive. The third time, eye contact, glance at his lips, look away just as he noticed. By the fourth, he was usually already walking over.
She never went home with these men or invited them back to her place. Sure, she’d make out with them until her lips were bruised, but sleeping with them was a line she wouldn’t cross.
Not because she was waiting for someone or because she believed in saving herself for anything. She simply liked the part before and the possibility of it all. The exchange of names she’d forget by morning. The feeling of being wanted without the burden of being known.
And around two in the morning, after enough cigarettes and enough conversations that meant nothing, she’d call an Uber home alone. Wash the smell of smoke from her hair, crawl into bed and wake up the next afternoon hungry again.



It could be fiction, it could be from your memoir. The more I write, the more the line blurs, perhaps you feel the same.
She doesn’t go home with them because she likes the part before and the possibility of it all. That sentence is doing quiet devastation. The whole piece is built around the thing desire does when it decides to live at one remove from its object.
The image of washing smoke from her hair at 2am and waking up hungry again lands like a closing chord. Almost sacramental, the nightly undoing.
What I want to know: the eye-contact system she has down to four steps. Did that come to you fully formed, or did you find it on the second pass?
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